It’s that personal experience, tinged no doubt with a certain degree of nostalgia that brings me to look upon the JBL 4367 with a healthy dose of admiration and respect. Yes, a lot of people say they look good but not in my opinion. Those JBLs were pretty compact at 361 x 224 x 282mm, but these new Series One 104s are even smaller, so the question is: can they maintain the new ’cheap is good’ philosophy carved out by their (not that much) bigger brothers? Using essentially the same 15-inch bass driver as the M2 and the identical dual diaphragm compression driver for the upper-mid and high frequencies, the 4367s definitely bring more than a little pro-audio “cred” to the table. (function(){window.mc4wp=window.mc4wp||{listeners:[],forms:{on:function(evt,cb){window.mc4wp.listeners.push({event:evt,callback:cb});}}}})(); The Image Control Waveguide, as they call it is the concept borrowed from a larger set of monitors, the M2 mastering monitors. Trusted by studio engineers around the world, JBL studio monitors are meticulously built to deliver the most accurate and precise sound that professionals demand. Male and female vocals were clearly delineated and spatially positioned to an extremely fine degree. The 5-inch powered woofer is a good size for a medium-sized studio. Their large, slightly retro enclosures feature a compression horn system for tweeter and super tweeter, linked to a beefy woofer. Once I got them set up and positioned just so, I believe these JBLs gave me some of the best vocal reproduction and clearest sound staging that I’ve come across from a pair of classic bass-reflex type speakers. Specifically when it comes to audio reviewing; honesty and a good balance of objective and subjective observation is key. They made me smile a heck of a lot during our time together. This is neither audiophile nor Hi-Rez in nature, but it’s honest to goodness hard rock that any speaker worth its salt (to me) needs to be able to handle. In this JBL EON 610 review, you'll discover how this 10-inch speaker offers plenty of features and great sound. The inherent dynamics (and sheer lung capacity) that these speakers also possess make listening to any gospel singer or blues-belter for example, a truly visceral experience. Efficient and easy to drive so tube lovers, rejoice. On “A Time for Love” the detail afforded by the JBL’s compression driver make Sims’s breathing easy to hear as he plays the smoldering lead, almost lending his performance an otherworldly quality that hovered midair, just in front of me. Studio monitors. The woofers were sprightly enough to keep up with the upper end gymnastics, filling in the lower end with the rolling thunder of the tympani drums. Don’t miss the HSM newsletter full of tips, tricks and giveaways: Dimensions (H x W x D): 11.75in x 7.28in x 9.88in (298mm x 185mm x 251mm). Read honest and unbiased product reviews from our users. The 4349 is a large two-way standmount loudspeaker whose 1-inch-walled and heavily-braced enclosure houses JBL’s horn-loaded D2415K compression driver and a 12″ Pure-pulp mid/bass driver. The low end is good but a bit limited. In terms of looks, it’s not the prettiest set of speakers you can find and the build quality isn’t the greatest either. 6: November 2020, What We’re Listening To. The rear of the cabinet has four gold-plated connections for bi-amplification or bi-wiring through the separate networks, but JBL includes a pair of heavy-duty jumper cables for single-conductor usage as well. JBL Studio 530 Speaker Review. A more consumer-friendly distillation of the most efficient speakers that I ’ m step! 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